It's been suggested that I focus on Eavan Boland's poetry, still taking a look at domestic imagery. Does she qualify as an American Poet? She didn't even raise her kids here -- will I let that stop me? What can I find in Boland that will start me up? Here is Poets.org's bio of Boland. It's not a great photo, but it's a start. This is a link to a lovely poem "Pomegranate" about how Boland can find herself in both halves of the Persephone/Ceres myth -- any daughter who is now a mother of a daughter can imagine herself here -- Boland has done it with a Coke can. This is Norton's site, her publisher, and links to her books and other goodies. They also have this photo, which is much better.
Here's a poem, "It's A Woman's World" and criticism of the poem. Maybe I'll be okay in her company. (And because blogspot will not let me put in the line breaks, I do not know why, you have to go to another site to see them -- or better yet, buy the book --)
It's a Woman's World
Our way of life
has hardly changed
since a wheel first
whetted a knife.
Maybe flame
burns more greedily
and wheels are steadier,
but we're the same:
we milestone
our lives
with oversights,
living by the lights
of the loaf left
by the cash register,
the washing powder
paid for and wrapped,
the wash left wet:
like most historic peoples
we are defined
by what we forget
and what we never will be:
star-gazers,
fire-eaters.
It's our alibi
for all time:
as far as history goes
we were never
on the scene of the crime.
When the king's head
gored its basket,
grim harvest,
we were gristing bread
or getting the recipe
for a good soup.
It's still the same:
our windows
moth our children
to the flame
of hearth not history.
And still no page
scores the low music
of our outrage.
Appearances reassure:
that woman there,
craned to
the starry mystery,
is merely getting a breath
of evening air.
While this one here,
her mouth a burning plume -
she's no fire-eater,
just my frosty neighbour
coming home.



